Tanjil Rashid on What Journalism Still Needs

Leyla Demir
By
Leyla Demir
Leyla Demir grew up between Istanbul and Birmingham before studying English Literature and Media at Oxford Brookes University. During her student years, she became interested in...
Tanjil Rashid on diversity and the future of journalism

Journalism has spent much of the digital era arguing about speed: how quickly stories are published, how quickly audiences move on and how quickly newsrooms adapt to new platforms. Tanjil Rashid’s reflections point in a different direction. The question is not only how journalism changes, but what forms of attention it should keep.

Tanjil Rashid on journalism

Why Criticism Still Matters

Book reviewing, cultural criticism and the long-form essay can look slow beside rolling news. That is precisely their value. They give writers time to establish context, make distinctions and develop an argument rather than simply register that something happened.

That does not make older forms automatically better. Much twentieth-century journalism was narrow in who it commissioned, promoted and treated as authoritative. Preserving depth without preserving exclusion is the harder task.

Diversity Is About More Than Headcounts

Representation matters inside newsrooms, but diversity also affects what counts as a story, which books are reviewed, whose expertise is trusted and which audiences are imagined when a piece is written. A broader newsroom can change editorial judgement as well as appearance.

The Skills That Survive Platform Changes

Platforms change quickly. Clear writing, patient reporting, scepticism and the ability to listen do not. For students interested in journalism, that is probably more useful than trying to predict which format will dominate five years from now.

The future of journalism may be digital by default, but it still depends on habits that are older than any platform: reading closely, asking better questions and knowing when a quick answer is not enough.

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Leyla Demir grew up between Istanbul and Birmingham before studying English Literature and Media at Oxford Brookes University. During her student years, she became interested in the small rituals of university cities: reading rooms, late café conversations, student societies, independent bookshops, and the public spaces where academic life meets ordinary city life. Before writing for Oxford Social, she contributed short cultural pieces to student magazines and local arts newsletters, often focusing on how young people use libraries, galleries, cafés, parks, and informal learning spaces. Her writing is shaped by the experience of being both an insider and an observer: close enough to Oxford’s student culture to understand it, but alert to the wider city beyond college walls. For Oxford Social, Leyla covers campus life, city habits, student communities, cultural events, and the everyday texture of Oxford as a place to study, think, meet, read, and live.